Skip to main content

An Introduction Against Identity

 


Introductions in a Western civilization centered so intensely around individuality and identity carry a sense of foreboding. On one hand, I’m Genevieve Cossette Frank (legally), I’ve been breathing on this planet for almost 25 years now, I have a cat, partner, a number of interests (mixed media art, cooking, exploring the outdoors, reading), and a few goals (education, financial stability, a future in arts-based, research--the usual). On the other hand, I have a very complicated relationship with identity that begs me not to degrade my identity to a few words. 


aforementioned cat and partner



Self-identity and the exploration isn’t always easy, as most know. I struggled to points that brought me to (successful!) treatment of Borderline Personality Disorder— not to ascribe this as an aspect of my identity, but rather to make real the impact a lack of self-identity brought and depth to your view of my perspective. That being said, moving towards life beyond BPD-turmoil was possible largely in part due to a reimagining of self-identity. I’ve found a sense of self to come within moments of action and creation, not moments of trying to figure out how I’d describe myself in relation to others. Our identity is built momentarily-by-moment, not something we have to be able to qualify to look at and figure out our place or understand our relation to others. 





a moment that encouraged my self to participate


“Too many people know too much about each other. Our new environment compels commitment and participation.” (McLuhan, Page 24) McLuhan’s consideration of how our disembodied selves will scream for “tangible” identities really resonated. Any and all art I’ve made has always been mixed-media, process art, always for myself over consumption. I’ve also always been a “research for learning’s sake” person, which as I grew, grew in tandem with my process-art-obsessed heart. My art and world are focused on exploring the physical world as a result of metaphysical actions and interactions. How a collective reality can be built off of symbiotic narratives, how people all starting as nearly the same thing become describable, identifiable individuals somehow creating a united, single experience of “each moment.” In a world that screams to cling to one Self while We fade into insubstantial black text against white boxes, I want to live in a way that encourages people to be actively participating in this one collective reality so hell-bent on individualism. 


-gcf 8/1/25

Intersection of Art and Science


Comments

Popular posts from this blog

Something Brutalist is in the Village

  The idea of a global village personally hinges on the direct impacts of technology, resulting in more deeply intimate interactions, and at a larger scale than ever before—and only increasing in its pervasive attacks. This new world and culture requires us to match the levels of actualized involvement to the intellectual involvement; meeting this as individualistically as so much of the mass does leaves us unable to reach the totality of integration. Regardless of an individual’s adaptational capability, the harsh boundary of individual versus Other remains despite the exposure; the stories don’t impact us, and with so much capacity for achievement (benevolent or malevolent) partnered with newly-relevant globally-faced issues, we must learn to completely conceptualize the true reality we have created and reside in. We must learn to acknowledge our perspectives in relation to the wider world, allowing ourselves to be affected by and thus completely exist within the global village....

Murky: into Print

Moving from a photo investigation of my ideas to a printed book was an exciting follow up after a narrative emerged while organizing the initial album. Incorporating text in this step of project development offered so many different avenues of approaching the layout. Throughout the semester, I’ve realized I struggle with prompted projects, as I’ve always been pretty strictly process based. The challenge of responding to the prompt, while not creating something inauthentic to fit the boundaries or making something that feels more representational than an artistic response, was an engaging way to begin to explore new approaches to my creation process.  I knew I wanted to use text to reinforce the narrative of the photos themselves, but didn’t necessarily want to present a fully explained project. With my focus on encouraging viewers to consider themselves and the world around them, I don’t want them to just read a message and move on to the next part of their day. Studies on viewers ...

We''ll Find Ourselves Not So Far Away

    With an assignment asked to respond to the notion of time becoming the new space, and of a society where we “march backwards to our own death” (McLuhan 63), it was inevitable I present a video portraying a fragmented journey.      I was fascinated by what McLuhan was saying, and just how well it holds up to this day. What we as a global society face, the consequences of our own actions—it’s doomed to implode through our self-designed, structural failures. We can’t build more with fixed materials available while remaining sturdy. We began as tribal worlds established from the here and now, to the fixed individual developed through printed literature and the vanishing point of visual representations. We’re facing a global return to a tribal culture, and the interaction of human-created media upon the discord of this transition is something that fascinates me personally. Modern media has erased the vanishing point that furthered the perspective of the...